perm filename TES.PUB[NSF,MUS] blob
sn#096542 filedate 1974-04-10 generic text, type C, neo UTF8
COMMENT ā VALID 00002 PAGES
C REC PAGE DESCRIPTION
C00001 00001
C00002 00002 .NEXT PAGE
C00006 ENDMK
Cā;
.NEXT PAGE
.SELECT C
PROPOSED RESEARCH
.SELECT 1
.BEGIN FILL ADJUST
We will now turn to our proposed research, and begin by briefly
discussing the necessary extension of the range of timbres covered by
the additive synthesis technique. The eventual development of truly
general techniques are contingent upon this extension of cases
examined. We next describe our plans for a systematic exploration of
data reduction techniques, which include the rigorous testing of
particular methods by perceptual scaling experiments. We then
discuss a practical result from this exploration: the development of
automatic data reduction algorithms. Reduced data structures for the
physical attributes of music instrument tones provides the researcher
with a better tool to investigate the more general aspects of timbre
perception for whole sets of natural sources. This will be amplified
in a latter section, devoted to the applications of multidimensional
scaling techniques to timbre perception. We will here discuss the
higher-order algorithms which should result for additive synthesis
from the above research, algorithms which give the user perceptually
meaningful controls and which make optimal use of computer resources
for the simulation of tones.
.END
.GROUP SKIP 2
.SELECT 5
extension of timbral range
.SELECT 1
.BEGIN FILL ADJUST
A necessary step for the eventual development of truly general
simulation techniques is the application of our methods to an
extended set of sources. For this purpose, we are planning to
gather a large collection of tones from string, woodwind and brass
families of musical instruments. Notes at several durations, played
in different manners, will be recorded throughout the ranges of all
instruments in the above families. As our research progresses in
time, we will cover a broader base of signals. We will thereby
investigate the perception of a very diverse set of cases and be
guided to a more general system for simulation. In that the goal of
our endeavors is to develop a technique by which we can realistically
simulate any instrumental sound, having any specific characteristics
in any context that could occur in reality, our data base
necessarily will be extensive. The widening of this data base is an
important part of our future research, and an integral feature of all
phases of investigation that are presented below.
.END
.NEXT PAGE